Christina Helferich-Polosky

Army, 1998-2009

Transportation and Information Operations Officer

BIOgraphy

Major (Retired) Christina Helferich-Polosky was 100% disabled and medically retired by the U.S. Army in 2009 because of multiple physical and mental injuries and illnesses she suffered after 11+ years of successful active-duty service as a Transportation and Information Operations Officer. Most of her disabilities were later attributed to burn pit exposures that occurred during her combat deployments to Kuwait/Iraq (OIF) in 2003 with the 7th Transportation Group (Forward) out of Fort Eustis, VA where she was awarded the Bronze Star, and Bagram, Afghanistan (OEF) in 2008 ith CJTF-101 out of the 101st Airborne Division (Air Assault) from Fort Campbell, KY where she was MEDEVAC’d home after becoming seriously ill several months into the deployment. But some injuries—some wounds and abuse— she buried deep and couldn’t bring herself to talk about or report, until very recently. So, after decades of living in darkness and hiding the pain, she finally took steps to undergo Post-Tramautic Growth and several other different and unconventional forms of art therapy.

Art, in all its healing forms, for Christina—painting, sculpture and mixed media/collage—genuinely aids in helping her see that she is more than her broken past. A major component of her process lies in attempting to translate her confusion and sorrow into some sort of tangible art using whatever media is at hand. By physically displaying her story this way, it gives her separation to analyze her hurt instead of continuing to internalize it. She equally enjoys applying thick applications of acrylic paint mixed with heavy mediums on very large canvases as she does creating small intricate collages out of vintage scraps of paper and cloth, funding the “messy” part of making extremely satisfying on a very basic level. The resulting effects range from paintings with a very sculptural aesthetic to intimate collages with painterly constructions, finding peace between the crudeness and beauty of it all reflective of how she is feeling on the inside on any given day. Christina’s artwork has been displayed in national art exhibits at the Military Women’s Memorial, the Library of Congress, and the British Embassy in Washington, D.C., both Dulles International and Reagan National Airports in Virginia, and Walter Reed National Military Medical Center in Maryland—all through a nonprofit called UnitedUS.org, centered on healing through the arts, where she is a featured artist. She is also currently collaborating with award winning author Col. Lisa Carrington Firmin, USAF (ret.) by illustrating her most recent book Latina Warrior (Oct. 2023 – Blue Ear Books), an authentically raw autobiography told in poems, prose, and art. Most recently, she travels to events with Lisa to promote their book and share their process about successful female collaboration, as well as conducting art/collage workshops, artist talks, and panel discussions.

The power of art has finally set Christina on a true and healthy path forward to finding the voice she thought she lost, or had been taken from her, over all those years. Finally, she is able to express hat she could barely say out loud: “I may be wounded, but I am NOT worthless. Thus, as part of her specific healing process, she created the free online art gallery cooperative WoundedNotWorthless.com LLC for female military, veteran, and wounded warrior artists as a source of inspiration and empowerment as they all search to find their own true artistic vision and voice. Christina invites all female military-related artists to join her site for mentorship, writing guidance, and artist statement advice, as well as just discovering a safe space to share works and brands within a galvanized network of support. While she still has days where she feels like she is stick in the murky pit of her past, she now has a medium with which she strives to create a new self-narrative using her wounds as a positive source of inspiration. She accepts there will be good days and bad days and will try to create art through them all.

Deployments

Jason A. Higgins: I know the answer to this question, but for the record, did you deploy to a combat zone?

Christina Helferich-Polosky: Yes, I deployed early in 2003, served in Kuwait and Iraq for the actual war portion, so that was 2003. That was Iraq. And then 2008, I was deployed with the 101st Airborne Division as a strategic communications officer in, once again, early in 2008.

Jason A. Higgins: In Afghanistan?

Christina Helferich-Polosky: Afghanistan. Bagram, Afghanistan.

Jason A. Higgins: As I understand it, that would have been the invasion force of Iraq. Then in 2008, things were escalating in Afghanistan right?

Christina Helferich-Polosky: We were trying to escalate it. Yes, I was the— like I said, a strategic communications officer. One of our strategic goals was to shift the focus, the world’s focus from Iraq to Afghanistan so we could get more aid in the country, more funding for our soldiers who were there, and our bases and things like that. That was one of the major goals for me in my job.

Women in Combat Policy Gap

Art by Christina Helferich-Polsky

“Because women were not allowed in any combat at the time. They could be in combat support. So, we’re talking air defense artillery. They could be in M.I. [military intelligence] They could be in combat engineering, in field artillery.

But if they were in those, there were still jobs that were coded male-only. I chose combat service support because, in transportation, there was no labels at all. I thought at the time, naively, that women had a fair shake, because we were just right along with the men, and there were no jobs not coded for us. We had gunners, 50-cal gunners, and things like that. It didn’t matter male or female, and we were in the fight. I did an art project about this.

Before 2016, when Congress officially lifted the ban on women in combat, we had had over 163 women killed just in the post-9/11 era. From Afghanistan in 2002 all the way up to 2016. My question was, are these not combat-injured? They’re deployed. They were killed in convoys. They were killed in a lot of convoys. But we had military police. We had women in all these things. And I was like, but — So, my question was, “We weren’t in combat?” Because when you have bullets and mortars and RPGs fired at you, it feels like combat. That was the question for me, and I was really excited when the ban was lifted in 2016. The 2013 ban that they lifted, that didn’t really affect us on the ground. That was just— it seemed like semantics to us watching it. 2016 was the real because Congress said we don’t have— They undid the ‘women can’t be in combat.’ So, that was really— of course, I wasn’t in to see it, but we were really happy about it.”


Promotions and Sexual Harassment

Invisible Woman Veteran

“Endowed by Her Creator” by Christina Helferich-Polosky


Family and Military Childhood

Burn Pits

John Ismay, “What Are Burn Pits, and How Did They Harm U.S. Troops?,” New York Times, August 11, 2022, https://www.nytimes.com/2022/08/11/us/politics/burn-pits-military-veterans.html.
South, Todd. “Supreme Court Rejects Appeal from Veterans in Burn Pit Lawsuit against KBR, Halliburton.” Military Times, August 19, 2022. https://www.militarytimes.com/news/your-military/2019/01/14/supreme-court-rejects-appeal-from-veterans-in-burn-pit-lawsuit-against-kbr-halliburton/.

Full Interview